Melville's Ishmael is one of my top three favorite literary characters. (The other two, by the way, are Hemingway's Jake Barnes from The Sun Also Rises and Milton's Satan from Paradise Lost.) There's something about Ishmael that sits right with me, and I've never really been sure what it is. From the first time I read this book in college, I was in love with it. I remember sitting in an Honors British Romantics seminar at UNC and listening to this girl in there complaining about Moby-Dick and how she had to force herself to read 50 pages a day--that was her plan for getting through it. I was a new English major then and not confident enough to call her on it, but I marvelled at how someone else who was obviously smart couldn't appreciate it. I have come to learn, however, that this unnamed undergrad is in the literary majority. For shame.
I was hooked on this book by the first chapter. Sure, everyone knows the "Call me Ishmael" opening, but what else? Do you know why Ishmael set foot on that doomed ship, the Pequod? It was because Ishmael, like so many of us, could no longer stand society as it existed on shore. He saw himself in a rut, and knew that the vast expanse of the sea could help him. And who among us cannot be helped by vast expanses? Have you ever felt sad or depressed and stared at a clear starry sky, only to feel better afterward? I love this explanation: "Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses. and bringing up the read of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship." I love the simplicity of that last statement. For all the grandiosness of Moby-Dick, for all of Ishmael's cetological diversions and exaggerated nineteenth-century language, there are a trove of simply-worded statements that blow me away. This is one.
I was hooked on this book by the first chapter. Sure, everyone knows the "Call me Ishmael" opening, but what else? Do you know why Ishmael set foot on that doomed ship, the Pequod? It was because Ishmael, like so many of us, could no longer stand society as it existed on shore. He saw himself in a rut, and knew that the vast expanse of the sea could help him. And who among us cannot be helped by vast expanses? Have you ever felt sad or depressed and stared at a clear starry sky, only to feel better afterward? I love this explanation: "Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses. and bringing up the read of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship." I love the simplicity of that last statement. For all the grandiosness of Moby-Dick, for all of Ishmael's cetological diversions and exaggerated nineteenth-century language, there are a trove of simply-worded statements that blow me away. This is one.
It's much more difficult to explain why I love this book, or even why I love Ishmael, than I thought it would be. I find myself not wanting to type things because there seems too much. Why talk about one thing when I could talk about another? Should I talk about Ishmael and Queequeg, which deserves to be spoken of. But to do that, do I need to tell you about the history of tattooing in the South Pacific and the fear white sailors had of being tattooed? But Dan, you say, I thought tattoos were part and parcel of sailors. And you'd be right, but not at first. The first generations of sailors who went to the South Pacific were terrified they would be tattooed against their will and so marked, literally and metaphorically, when they returned to "civilization." But as Ishmael says about Queequeg when trying to psyche himself up for sharing a bed with him, "A man can be honest in any sort of skin." Add to this the fact that Ishmael eventually tattoos onto his right arm the dimensions of a Sperm Whale skeleton. What does that say about Ishmael, about whales, and about tattoos? Read chapter 2 and chapter 102, and you tell me.
So this is what I'll end with. When talking to a few other people about Moby-Dick, all of them professors, and I say something about Ishmael telling this story back on shore, they all say, "that's assuming he does get back to shore." This angers me. These people are referring to the end of the novel, which I won't ruin for you (though you probably know pretty much what happens), but suffice it to say that Ishmael doesn't say "and I returned to New England." But he talks all throughout the novel about other whaling voyages he goes on, and he does plainly say that his voyage on the Pequod, while not his first time as a sailor, was his first time as a whaler. So then, obviously, Ishmael sets out against the sperm whale even after his encounter with Moby-Dick. What does that say about him? Does his drive to go whaling (he doesn't have to ship out on whaleships) echo Ahab's monomaniacal quest? Is Ishmael more successful than Ahab because he lives to tell his story? Why do whales have this pull?
I'll leave this question for my discussion of Ahab. If you can read along, I'm going to be talking about Ahab mainly from chapter 36, "The Quarter-Deck." Until, smooth sailing to all.